Muriel McAuley has lived in the Scottish fishing village of Witchaven all her life. She was born there, and she intends to die there. But when an overseas property developer threatens to evict the residents from their homes and raze Witchaven to the ground in the name of progress, all seems lost . . . until the day a mysterious fog bank creeps inland.

High up on the windswept cliffs of Pale Peak, Faye and Felix celebrate their new engagement. But soon, a chorus of ghastly noises erupts from the nearby woods: the screams of animals, the cries of children, and the mad babble of a hundred mournful voices. A dark figure looms near the windows in the dead of night, whispering to Faye. As the weather turns deadly, Felix discovers that his terrified fiancée isn't just mumbling in her sleep—she's whispering back.

The blizzard begins pummeling the Midwest on Christmas Eve, leaving hundreds of passengers stranded at Chicago's O'Hare International Airport. Todd Curry doesn't need another reason to disappoint his son, so he joins three other people in renting the last four-wheel drive available and they set out into the blinding snow. Only two hours into the treacherous trip west, Todd swerves to avoid a man in the middle of the highway. The stranger claims his daughter is lost somewhere out in the snow.

When Jenine finds an abandoned polaroid camera, she playfully snaps a photo without a second thought. But there's something wrong with the image: a ghostly figure stands in the background, watching her. Fixated on her. Moving one step closer with every picture she takes.

Father Silence once terrorized the rural town of Twisted Tree, disguising himself as a priest to prey on the most vulnerable members of society. When the police finally found his House of Horrors, they uncovered nineteen bodies and one survivor–a boy now locked away in a hospital for the criminally insane. Nearly two decades later, Father Silence is finally put to death, but by the next morning, the detective who made the original arrest is found dead. A new serial killer is taking credit for the murder and calling himself the Outcast.

John Hawkins is counting down his last days as chief of police on the Lone Crow Reservation in the lonely, frigid woods of the Yukon. But when a faceless body with mysterious wounds washes up on the shores of the Porcupine River, he’s pulled deeper in than ever before. Hawkins and coroner Jacob Littlecorn suspect the disfigured body is that of theoretical physicist Graham Raphelson, also known as the “molecular madman of Trinity College”, who recently disappeared.

On his 59th birthday, Tyson Parks—a famous, but struggling, horror writer—receives an ornate antiquarian desk in the hopes it will rekindle his creative juices. Perhaps inspire him to write another best-selling book and prove his best years aren’t behind him… As Tyson begins to use the new desk, he finds himself writing copy at an unfathomable speed, becomes so focused on writing that he binges on all-night, all-day sessions that take a serious physical and psychological toll. Soon, Tyson begins acting strange. Violent.

At first glance, Phil Pendleton and his son Adam are just an ordinary father and son, no different from any other. What no one knows is that Phil is a prisoner, and that up until a few weeks ago and a chance encounter at a grocery store, he had never seen the child before in his life.

When young Henry Thorne is kidnapped and held prisoner in a remote farmhouse surrounded by miles of forest, he finds himself connecting with a strange force living in the woods—using that bond to wreak havoc against his captors. Unknown to the boy, however, is that this ancient being has its own reasons for wanting the interlopers gone—there is something hidden beneath the house, tucked away in the dark, damp root cellar . . . waiting for its return.

Struggling with money, raising a child alone, and fleeing a volatile ex, Jess McMachen accepts a job caring for an elderly patient. Flo Gardner—a disturbed shut-in and invalid. But if Jess can hold this job down, she and her daughter, Izzy, can begin a new life. Flo's vast home, Nerthus House, may resemble a stately vicarage in an idyllic village, but the labyrinthine interior is a dark, cluttered warren filled with pagan artefacts. And Nerthus House lives in the shadow of a malevolent secret. A sinister enigma determined to reveal itself to Jess and to drive her to the end of her tether.

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

Since the 1970s, FantasticLand has been the theme park where "Fun is Guaranteed!" But when a hurricane ravages the Florida coast and isolates the park, the employees find it anything but fun. Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

When Ryne Burdette inherits his family's old hunting cabin deep in the Yukon wilderness, he wants to say no. Nothing much is left in that place except for unpleasant memories and the smoke of old burns. But after a tragic year, he sees a weekend trip to the cabin with his best friends as a way to recuperate and begin again. But there is something strange about these woods.

Joanna Eberhart is a creative, self-possessed wife and mother, newly arrived in seemingly idyllic Stepford, Connecticut. But as she and her family begin settling in, she’s jarred by the unaccountable sameness of the local wives: all flawlessly attractive, with perfectly maintained homes—and little seeming interest in anything else. As curiosity turns to concern, Joanna finds herself unraveling a web of malice that threatens her very existence.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

This forest isn't charted on any map. Every car breaks down at its treeline. Mina's is no different. Left stranded, she is forced into the dark woodland only to find a woman shouting, urging Mina to run to a concrete bunker. As the door slams behind her, the building is besieged by screams. Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the watchers come above ground. These creatures emerge to observe their captive humans and terrible things happen to anyone who doesn't reach the bunker in time.

Renowned academic Dr Sparling seeks help with his project on a remote Irish village. Historical researchers Ben and Chloe are thrilled to be chosen—until they arrive. The village is isolated and forgotten. There is no record of its history, its stories. There is no friendliness from the locals, only wary looks and whispers. The villagers lock down their homes at sundown. A nameless fear stalks the streets. Nobody will talk—nobody except one little girl. Her story strikes dread into the hearts of the newcomers. Three times you see him. Each night he comes closer.

Peel back that rotting skin and behold the improbable creatures, nightmarish places, and horrifying events that lie waiting just beyond everyday experience. Witness the terror of a man stalked for decades by entities from across the void. Feel the agony of an unholy union between technology and flesh. Know the decay of our reality as it collapses into a darker plane. Our deepest fears are mere shadows on the wall. Find out what casts those shadows in this collection of short stories by Felix Blackwell and Colin J. Northwood.

High up on the windswept cliffs of Pale Peak, Faye and Felix celebrate their new engagement. But soon, a chorus of ghastly noises erupts from the nearby woods: the screams of animals, the cries of children, and the mad babble of a hundred mournful voices. A dark figure looms near the windows in the dead of night, whispering to Faye. As the weather turns deadly, Felix discovers that his terrified fiancée isn't just mumbling in her sleep—she's whispering back.

After a tragic accident at work, all Grady Miller wanted was an escape. He finds it months later with two of his closest friends. Together, the three of them travel south to Prism Lake for the upcoming holiday, where they plan on spending the sunny weekend drinking, grilling, and relaxing. But when a series of monstrous blizzards cover the Eastern United States in feet of snow, knocking out communications and making the roads impossible to drive on, they realize their weekend of fun could turn into a lifetime of survival.

The blizzard begins pummeling the Midwest on Christmas Eve, leaving hundreds of passengers stranded at Chicago's O'Hare International Airport. Todd Curry doesn't need another reason to disappoint his son, so he joins three other people in renting the last four-wheel drive available and they set out into the blinding snow. Only two hours into the treacherous trip west, Todd swerves to avoid a man in the middle of the highway. The stranger claims his daughter is lost somewhere out in the snow.

While visiting his mother at her secluded Waldport cabin, an English teacher is awoken in the night by screams. Something gigantic is heaving itself against the rickety front door, relentlessly pounding and scratching—and shrieking his name. The hideous creature seems to know everything about the man, and takes special interest in his wife's deteriorating health.

The town of Oak Hollow, Ohio is dying. Jobs are scarce, crime is rampant, and the authorities aren't helping. But, when the infamous haunted house on Asher Street is quickly converted to a funeral home, it appears something has come to pick clean the bones of this once-proud Midwestern town.

When a mysterious truck crashes through the gates of the AccuTech factory, the final shift descends into a nightmare of inhuman proportions. An extraterrestrial parasite capable of absorbing and perfectly mimicking any life form has arrived, leaving a trail of blood and chaos in its wake. Desperate to contain the outbreak at any cost, a shadowy military faction places the factory under quarantine, sealing the doors and condemning everyone inside to a grisly fate.

Meet Caitlyn Grey: 26, agoraphobic, and blind. She travels the world without leaving home. Caitlyn can blink - sending her mind across earth. It’s a skill she’s kept hidden, one she shares with this killer. To the police, it’s the impossible: How could a blind woman see a crime that didn’t leave prints? But to Michaels, it’s just the break his investigation needs. He’s uncovered a pattern among the dead doctors, scientists, and professors - a connection to a Cold War experiment that weaponized the mind.

On an isolated farm in southern Ireland, a decades-old grave houses the dismembered bones of 11 women. Detective Superintendent Katie Maguire of the Irish Gardai is used to bloodshed, but these white bones speak of unimaginable butchery. Not far away, a young American tourist is at the mercy of a sadistic killer. His tools are a boning knife, twine, and a doll fashioned from rags, nails, and fish-hooks. The murder of his victims is secondary only to his pleasure at their pain.

Andrew Larimer has left his past behind. Rising up the ranks in a New York law firm, and with a heavily pregnant wife, he is settling into a new life far from Kingsport, the town in which he grew up. But when he receives a late-night phone call from an old friend, he has no choice but to return home.

An alcoholic teacher and father’s world spirals out of control when a former student is killed and he is left with her dog and the dark presence that follows it. Matt Matheny teaches during the day, drinks at night, and barely hides his functioning alcoholism from his veterinarian ex-wife, Lucy, and his six-year-old son, Mikey. His world spirals out of control when a former student is killed, and he's left with her dog, Conehead. But something isn't right with Conehead.

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

Paul Gallo saw the report on the news: a mass murderer leading police to his victims' graves in remote Dread's Hand, Alaska. It's not even a town; more like the bad memory of a town. The same bit of wilderness where his twin brother went missing a year ago. As the bodies are exhumed, Paul travels to Alaska to get closure and put his grief to rest. But the mystery is only beginning. What Paul finds are superstitious locals who talk of the devil stealing souls, and a line of wooden crosses to keep what's in the woods from coming out.